Address Plaque Workshop, Upcoming Shows, and Classes

A great time was had by all as we toiled away in the heat this July weekend just prior to the wildfire season start up. Although we had one emergency cancellation just before class began, we still had plenty of good energy to make this a great creative gathering. A few newbies joined in with some old hands (literally and figuratively) and we had a wonderful class overall. Some folks already had address plaques they liked at home, and so opted for “plain-ol'” mosaics.

HA! As if there’s such a thing!
Here are some pics of the process and the final outcome of some of the work. Plus BELOW, some info. about upcoming classes and shows!

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I have a beginners mosaic class coming up this October 1st and 2nd during the Contemporary Mosaic Art Summit in Ashland, OR at Southern Oregon University.

We’d love to see you there for the workshops, but don’t forget the lectures by international mosaic artists. There’s also an Invitational Exhibit at the Thorndike Gallery at SOU, where I will have the 2 pieces shown here for sale:imag.landscape.lgViewfrom9F.lg

and don’t forget the wonderful Mosaic Exhibit and Silent Auction at Belle Fiore Winery on Thursday Oct.1st from noon until 6pm. There will be so many wonderful smaller treasures as well as larger works for purchase- and it’s a ONE DAY ONLY event.  Here’s the piece I’ll have there for sale:

beneaththesurface.lgCome meet the artists, enjoy the views, buy a glass of wine to sip while picking out your favorite piece! I hope to see you there!

The Horses of Equamore Mural Project/Artists for Equamore

I can’t believe how much time has passed since my last post, but life has been FULL! Work on the mural continues pretty much everyday and I am doing my best to try and get it up on the wall before July. (But no promises! I can only move so fast.) Keep your ears open for announcements of an unveiling event! It should be a fun one, as Equamore really wants to help me celebrate this with the community of Talent and the Rogue Valley. More on this below.

While working on the mural, I and my friend Lynn Adamo finished and installed the Booker T. Frog sculpture (the T. stands for “the”) on his new mosaic lily “pad” at the McMinnville Public Library at the end of April. (See earlier progress post) We had lots of help from friends to make this work just right. Everyone was excited to see Booker again and even more excited to see the mosaic brighten up the entrance to the library. You can read more about it and see photos over at Lynn Adamo’s great blog post:


I have to say I had no idea how many steps would and could go into creating The Horses of Equamore mural. I have done similar work before of course, but each project somehow seems totally different and new. I love a challenge, and rarely tackle anything that isn’t one, but this project turned out to be sort of a reverse-engineered mosaic, which is way more complicated than I originally thought it would be.

Rather than starting with pieces and putting them together to make a whole, I started with big slabs of clay (about 32″ x 24″) and cut them up to create the pieces. 20150517_181721Then those pieces were cut down further to create more and smaller sections. Then those sections were deeply scored to create spaces for grout lines so once filled, the lines would create the illusion of a true mosaic. I keep calling it a faux mosaic, but really it isn’t, it is turning out to be tens of thousands of pieces! 20150518_115420I also carve into the clay to create the critters, landscape, etc. by first tracing my template directly onto the leather hard clay.

20150518_175909Because I am designing grout lines into the pieces, I also realized I’d need to protect those grout lines from the shiny clear glaze I’m using on the rest of the pieces. In order to do that I have to hand wax every single grout line and edge of every piece after it is bisque fired and washed.

It sometimes takes an entire day just to wax a single half section. 20150520_205955However, my hope is that the rough texture of the bare clay will ensure the grout will grab and stay in the grout lines (xx= fingers crossed

I’m using underglazes to create the color on the panels. This is a bit more predictable than regular glaze, as the color applied looks somewhat similar to reality once fired. Regular glazes usually look nothing like the color they are — so what goes on green can come out blue, or what goes on pink can come out green. It’s a little maddening and for me too difficult for this type of work.First panels

Here’s a side by side comparison of underglaze before firing, and after firing with a clear coat on top.

To date I’ve completed about 19 feet of the 27 foot total! The next sections are in the kiln with another one awaiting bisque firing. The finish line is in sight :)

While that’s happening, I’m trying to create some work for the special fundraising event going on at the Equamore Foundation on Sunday May 31st. It’s called Artists for Equamore and looks like it should be a great deal of fun. I’ll have garden art, ceramic tile plaques, possibly some new mosaic jewelry, and more!artist event smOver 20 local artists (check out the above link), live music, wine, food, and really great horses! What more could one ask for? Even if it rains we’ll be doing it up in the arena area, so don’t give me any excuses. We need your help to make it a success! 20% of all sales are going to the horses – so come on out. 3-6pm.

Mosaic Mural progress

Another few weeks, another bit of progress on the massive project I’ve titled “The Horses of the Equamore Foundation”.
Here’s the step-by-step progress of the last few weeks on the Horses of Equamore mosaic mural.


Clay is rolled out, pieces traced from the earlier produced templates, and then cut to shape.



After the slab begins to set up a little more, detail can be added, shapes refined, and names stamped into the donor tiles.



Next the tiles are glazed with an underglaze, which differs from “regular” glaze, in that it goes on more like paint, can be applied before the clay is fired, and is mixable to create infinite colors.


Then the pieces are loaded into the kiln, fired to a bit over 1800F degrees, and allowed to cool. Then they are sprayed with a clear glaze to seal the underglaze and make them more durable and relatively impervious to dirt. They are reloaded into the kiln, and fired to a much higher temperature of 2100F+.
This is what the actual piece will look like, plus another 17 pieces the size of this one!


I started the next part yesterday. This is Flint, one of the rescued Percherons from Equamore.

I also presented the beginning of the mural at the Ashland Art Center on March 6th along with the 17 other receipients of the first annual Lloyd Haines Philanthropic Foundation Grants. We had a fabulous turn out and it was really fun to see how all the various artists had used their grants and how much it had enhanced their lives and their artistic journey.
My journey continues! I will try to keep you updated regularly through this process so you can share in the fun – and keep the cheerleading coming! I can use all the support ;)

Frog finds a new home (or the creation of the Lily Pond Mosaic)

Wonderful world! My friend and fellow mosaic artist Lynn Adamo and I applied for a large public art project in McMinnville, Oregon last year for a new bus station/rerouting center.

Well, we didn’t get that gig, but luckily for us, one of the folks who was present for that selection process saw and liked our work. They have hired us to do a different project for the McMinnville Library renovation that is happening now! We, of course, said “YES!”

frog3It all started with a bronze frog sculpture that was gifted to the library some years ago.


This cute contemplative frog is being relocated because of the renovations. He needed a new home, and we were being hired to create it!

The client requested a mosaic “pond” to be sited in an existing planter bed close to the front doors.

Bed_angled corner1Now… Lynn and I live at opposite ends of the state. We weren’t really sure how we were going to do this, but this is what we decided.

I did the design, color lily pad v4

and she did the in person meetings (since she’s far closer to McMinnville) and got a full sized copy made of my design. We chose and ordered tiles with lots of back and forth, online and on the phone.

And then Lynn made the cutest maquette ever!

Screen Shot 2015-02-18 at 6.59.29 PMTo begin the hands on part, we met up in Bend, at our friend Rochelle’s awesome studio Wild Rose Artworks (thanks Rochelle), to split the materials and layout the full size cartoon onto mesh.

Next we tiled along the imaginary center line, then when it was set over night, we cut the mesh into two large halves and brought them back to our respective homes to work on them.

20150206_162511So far, this is how it’s going on my end.


I am also on the search, via a rock hound friend, to find the perfect rock for the frog sculpture to sit on in the center of the pond.

Fingers crossed!

In addition to all this great work that’s finally going on, I was accepted into the Rogue Gallery 2015 Biennial! The show is a collection of works from artists of the Rogue Valley. Please check it out when you can, it opens Feb.20th (from 5-8 pm) and will run through April 10th 2015.

Hope to see you there!

50 Shades of Clay (or the making of the Equamore mural)

20150218_160346Greetings to all my loyal friends and art enthusiasts!

I wanted to let you all know what is happening in my life and on the Horses of Equamore mural (FINALLY!).

2014 was a crazy busy year for me, beginning with receiving a $4,000 grant from the Haines Foundation of Ashland in late July! I proposed creating a mural I could call my creation from start to finish as a way to build my portfolio and help myself get future work as a mosaic artist. I was excited, but also a bit daunted, as I knew I would have to raise at least $10,000 more in order to really “get paid” for all my work.

I chose the theme of the mural, the horses of the Equamore Foundation, as I felt that there was a strong connection between the community of Talent where I live, and the horse culture that is all around us here in the Rogue Valley of Southern Oregon. I was introduced to the foundation by Anna Clay, owner of the Grotto Pizza where the mural will be installed. Anna is a huge supporter of animal welfare causes, so it seemed a good match to me, and luckily she agreed! Here is a link to the mock up of what the mosaic will look like, minus a good number of wildlife tiles that will be added in to the final piece, in situ.

I also had to go through the City of Talent to get approval from the City Council, and still have to get permits finalized through Planning before installation on the Grotto.

In August I put together an crowd funding campaign which started in early September and ran for a month. I slowly started raising money one dollar (or sometimes 75 cents!) at a time.indigogo card copy

In addition to the horses, the mural will also include many other examples of wildlife that can be found in Southern Oregon. I “sold” folks the chance to have their names put onto an animal tile from a selection of around 45 tiles, which will be set into the final mosaic as an integral piece, rather than as an aside. I liked the idea, which I borrowed with permission from Eileen Barr who co-created the 163 steps project in San Francisco. She was a great resource for me in terms of how to handle fundraising and integrating the community into the project. Thanks Eileen!

I was ultimately successful in the last hours of the campaign and made my goal, which enabled me to pay a lower fee to Indiegogo and keep more for the project! THANK YOU to everyone who pitched in, large or small, it all matters! I am feeling so blessed and so happy to have the support of the community, my friends, and my family.

Then I took the next 6-8 weeks for prepping wares for the annual Clayfolk Show and Sale at the Medford Armory, which was also quite a success. More good vibes!

I began right after the Clayfolk Show getting set up to create this giant project consisting of a 27 foot long, 2.5 foot tall handmade ceramic tile mosaic depicting the horses of the Equamore Foundation, a local rescue for abused and neglected horses.

I purchased a “portable” carport/tent to use as an outdoor annex to my tiny studio. You can see the back of my studio just in front of the tent.


It looks small here, but is 12 x 20 feet of room that I’m loving having already. It will be even nicer when it warms up and I can be out there all the time!

Next, my friend Rick Evans, fellow artist, and previous co-worker from Illahe Tileworks, found me a used slab roller on Craigslist.20150119_142143I’ve wanted one of these for a long time, but never had the space. Now I do! It’s very exciting and I rolled out my first slab today. I’m a little rusty on the how part, but it HAS been about 6 years since I’ve used one of these babies. And I’m attempting to do large slabs of clay — approximately 24″ x 30″. I’m feeling my age today!

Once I’m done with this blog post and the slab has stiffened up just a little, I will begin to cut out the shapes for the first pieces. Whoot! Whoot!

I had the full mural design blown up onto paper at 111% original size to use as a template. I coated the entire thing with clear contact paper to protect it from tearing and make it more resistant to the moisture in the clay.20150129_131949 Then I cut out pieces from the template that would be more manageable in size and shape. I made a corresponding “map” of the final piece so I knew where each piece would go once they were finished.

Yep. I pretty much just made a giant puzzle!

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Each of these pieces will be placed on the clay and cut around as well as transferring the design to the face of the tile as a guide. I still am a little undecided how I’ll tackle creating “mosaic” pieces for the background, but I think it’ll work out. Sometimes you have to figure things out as you do them to see what will work and what won’t.

And finally today, I’ve been creating my own version of the whole 50 Shades genre by doing glaze tests for the project. My own 50 Shades of Clay!20150218_160346

I am using Amaco Velvets underglaze with a clear sprayed on top to bring out the color and protect it from the dirt and weather. I’m loving the palette so far. I realize there are only 48 colors here, but more tests are on the way!

That’s where I am on the process so far, as I am concurrently working on a public commission for the McMinnville Library. This will be a lily pond mosaic I’m co-creating with my friend and fellow mosaic artist Lynn Adamo of Hillsboro. Coverage on that project in the next blog post!

Oh! and don’t miss seeing how all the Haines Foundation recipients used their grant money — join all 18 of us at the Ashland Art Center on March 6th (First Friday) from 5-8pm for an exhibit of everyone’s works and works in progress!

Time for the Art for the Home & Garden Show and Sale!

Well a true spring has finally come to the Rogue Valley of Southern Oregon, and I have been working hard to create several new items of art for the Art for the Home & Garden  Show and Sale that I hope you will enjoy in addition to some tried and true favorites.

First, mosaic jewelry.

2014-03-31 14.16.17 2014-03-31 14.23.12 2014-03-31 14.21.54   Beautiful handcrafted tiny works of art to decorate your already awesome selves. I have selected beautifully crafted silver plated and solid copper bezels as my substrate, then I cut teenie tiny bits of glass, ceramic tile, semi precious stones and Italian millifiore and Mexican smalti to arrange artfully and tastefully within the bezel. After adhering these pieces and allowing them to dry, I grout them all in with a nice deep charcoal grout. Now they are ready to wear to impress your friends. I get noticed every time I wear mine! I have a large selection of one-of-a-kind pendants to choose from.

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Mosaic pendants by Miss Mosaic (red oval with hearts has been sold)

Next, I’m in the process of creating ceramic flowers to adorn your gardens.


Ceramic and steel garden art flower BEFORE glaze has been added.

I start by rolling out and stamping wet clay, allowing it to get close to leather hard before cutting it into shapes sort of like making sugar cookies, but without the handy cutters (still need to make those). After they have dried for a few days, I bisque fire them then will coat them with glazes that capture the beautiful textures, and refire to a higher temp (2100F). Afterwards, they’ll be ready to stack into colorful flowers and place onto their “stems” of steel, with leaves welded onto them.

In addition, I made a large beautiful mosaic butterfly, suitable to hang indoors or out.


Garden art butterfly by Miss Mosaic

These will brighten your garden or home no matter what the season!

I also have art for your home too!


Mosaic birds for your home by Miss Mosaic

Cute little mosaic birds I created can decorate your walls to bring a little bit of nature inside and brighten up a room. These I made by cutting MDF board out in bird shapes I sketched out, then sanded and sealed with Kilz to keep out air moisture. Next I hand cut bits of glass tile and adhere to the base, grout them up, paint them again, and wha la! Happy little birds :)

If none of this has grabbed your fancy, I also have my ceramic plaques and beautiful sgraffito carved bowls (my favorite below) and possibly more fine art mosaics to liven up your home and bring a little handmade love into your lives.


Sgraffito bowl by Miss Mosaic- side view


Inside a sgraffito bowl by Miss Mosaic

I hope to see you at the sale in person- I will be doing my work shifts between 12:30 and 3pm on Friday and Saturday, so if you want to chat, that’s a guaranteed time to catch me, up at Mary Dee’s on Prim. I look forward to catching up with those of you I haven’t seen in a while, and visiting more with those I see more often.

The sale is easy to find- just take Wimer St. up to the top crest of the hill (off of N. Main St. in Ashland, OR). A map and flyer are here: AFGshow Come celebrate the wonderful creativity this valley has to offer right on your doorstep, support your local artists, and enjoy a wonderful day exploring!

If you can’t make it to the sale, please don’t hesitate to contact me here or by email at for sales or commissions of my work! And share this with your friends to help support me! Thanks everyone!

Cutting and Laying Workshop at Ashland Art Center


April was an absolute dream of a month weather wise here in Talent, Oregon; a gorgeous Spring display of color and bloom took my breath away almost every day.


Getting started, everyone was standing up and excited with possibilities.

I was lucky enough to get to do some teaching in the midst of all this glorious weather and was joined at the Ashland Art Center once again by six lovely women,

studying the techniques of cutting and laying tile for mosaics.

We had scheduled a 4 hour workshop, and once again, I tried to cram tons of information into a one day class. We discussed different tools for cutting ceramic, stained glass, glass tiles, and other types of materials, as well as ways to lay tiles and shape them to create flow, movement, static areas, and areas of energy.


Morgan created a setting sun – deep red over her cliff.



Kay loves to break the rules once she knows what they are :)


MaryDee was challenged by the toughness of the porcelain tile, but did an amazing job!


Johanna works slowly, like me, but was focused on getting it “just right”. And she did!


Our brave newbie did a tremendous job while entertaining us with tales of her zoological shenanigans.













By the end of the day,  I think they were all getting the hang of it!

Several folks took home tools and materials to finish their pieces as time allowed.

I hope they all enjoyed themselves, I know I did. I’m planning to do a two day weekend workshop in July or August at the Art Center and would love to see you there. Contact me here, or on Facebook for updates and more info.!