The Horses of Equamore Mural Project/Artists for Equamore

I can’t believe how much time has passed since my last post, but life has been FULL! Work on the mural continues pretty much everyday and I am doing my best to try and get it up on the wall before July. (But no promises! I can only move so fast.) Keep your ears open for announcements of an unveiling event! It should be a fun one, as Equamore really wants to help me celebrate this with the community of Talent and the Rogue Valley. More on this below.

While working on the mural, I and my friend Lynn Adamo finished and installed the Booker T. Frog sculpture (the T. stands for “the”) on his new mosaic lily “pad” at the McMinnville Public Library at the end of April. (See earlier progress post) We had lots of help from friends to make this work just right. Everyone was excited to see Booker again and even more excited to see the mosaic brighten up the entrance to the library. You can read more about it and see photos over at Lynn Adamo’s great blog post: http://www.lynnadamo.com.

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I have to say I had no idea how many steps would and could go into creating The Horses of Equamore mural. I have done similar work before of course, but each project somehow seems totally different and new. I love a challenge, and rarely tackle anything that isn’t one, but this project turned out to be sort of a reverse-engineered mosaic, which is way more complicated than I originally thought it would be.

Rather than starting with pieces and putting them together to make a whole, I started with big slabs of clay (about 32″ x 24″) and cut them up to create the pieces. 20150517_181721Then those pieces were cut down further to create more and smaller sections. Then those sections were deeply scored to create spaces for grout lines so once filled, the lines would create the illusion of a true mosaic. I keep calling it a faux mosaic, but really it isn’t, it is turning out to be tens of thousands of pieces! 20150518_115420I also carve into the clay to create the critters, landscape, etc. by first tracing my template directly onto the leather hard clay.

20150518_175909Because I am designing grout lines into the pieces, I also realized I’d need to protect those grout lines from the shiny clear glaze I’m using on the rest of the pieces. In order to do that I have to hand wax every single grout line and edge of every piece after it is bisque fired and washed.

It sometimes takes an entire day just to wax a single half section. 20150520_205955However, my hope is that the rough texture of the bare clay will ensure the grout will grab and stay in the grout lines (xx= fingers crossed

I’m using underglazes to create the color on the panels. This is a bit more predictable than regular glaze, as the color applied looks somewhat similar to reality once fired. Regular glazes usually look nothing like the color they are — so what goes on green can come out blue, or what goes on pink can come out green. It’s a little maddening and for me too difficult for this type of work.First panels

Here’s a side by side comparison of underglaze before firing, and after firing with a clear coat on top.

To date I’ve completed about 19 feet of the 27 foot total! The next sections are in the kiln with another one awaiting bisque firing. The finish line is in sight 🙂

While that’s happening, I’m trying to create some work for the special fundraising event going on at the Equamore Foundation on Sunday May 31st. It’s called Artists for Equamore and looks like it should be a great deal of fun. I’ll have garden art, ceramic tile plaques, possibly some new mosaic jewelry, and more!artist event smOver 20 local artists (check out the above link), live music, wine, food, and really great horses! What more could one ask for? Even if it rains we’ll be doing it up in the arena area, so don’t give me any excuses. We need your help to make it a success! 20% of all sales are going to the horses – so come on out. 3-6pm.

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Frog finds a new home (or the creation of the Lily Pond Mosaic)

Wonderful world! My friend and fellow mosaic artist Lynn Adamo and I applied for a large public art project in McMinnville, Oregon last year for a new bus station/rerouting center.

Well, we didn’t get that gig, but luckily for us, one of the folks who was present for that selection process saw and liked our work. They have hired us to do a different project for the McMinnville Library renovation that is happening now! We, of course, said “YES!”

frog3It all started with a bronze frog sculpture that was gifted to the library some years ago.

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This cute contemplative frog is being relocated because of the renovations. He needed a new home, and we were being hired to create it!

The client requested a mosaic “pond” to be sited in an existing planter bed close to the front doors.

Bed_angled corner1Now… Lynn and I live at opposite ends of the state. We weren’t really sure how we were going to do this, but this is what we decided.

I did the design, color lily pad v4

and she did the in person meetings (since she’s far closer to McMinnville) and got a full sized copy made of my design. We chose and ordered tiles with lots of back and forth, online and on the phone.

And then Lynn made the cutest maquette ever!

Screen Shot 2015-02-18 at 6.59.29 PMTo begin the hands on part, we met up in Bend, at our friend Rochelle’s awesome studio Wild Rose Artworks (thanks Rochelle), to split the materials and layout the full size cartoon onto mesh.

Next we tiled along the imaginary center line, then when it was set over night, we cut the mesh into two large halves and brought them back to our respective homes to work on them.

20150206_162511So far, this is how it’s going on my end.

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I am also on the search, via a rock hound friend, to find the perfect rock for the frog sculpture to sit on in the center of the pond.

Fingers crossed!

In addition to all this great work that’s finally going on, I was accepted into the Rogue Gallery 2015 Biennial! The show is a collection of works from artists of the Rogue Valley. Please check it out when you can, it opens Feb.20th (from 5-8 pm) and will run through April 10th 2015.

Hope to see you there!

50 Shades of Clay (or the making of the Equamore mural)

20150218_160346Greetings to all my loyal friends and art enthusiasts!

I wanted to let you all know what is happening in my life and on the Horses of Equamore mural (FINALLY!).

2014 was a crazy busy year for me, beginning with receiving a $4,000 grant from the Haines Foundation of Ashland in late July! I proposed creating a mural I could call my creation from start to finish as a way to build my portfolio and help myself get future work as a mosaic artist. I was excited, but also a bit daunted, as I knew I would have to raise at least $10,000 more in order to really “get paid” for all my work.

I chose the theme of the mural, the horses of the Equamore Foundation, as I felt that there was a strong connection between the community of Talent where I live, and the horse culture that is all around us here in the Rogue Valley of Southern Oregon. I was introduced to the foundation by Anna Clay, owner of the Grotto Pizza where the mural will be installed. Anna is a huge supporter of animal welfare causes, so it seemed a good match to me, and luckily she agreed! Here is a link to the mock up of what the mosaic will look like, minus a good number of wildlife tiles that will be added in to the final piece, in situ.

I also had to go through the City of Talent to get approval from the City Council, and still have to get permits finalized through Planning before installation on the Grotto.

In August I put together an Indiegogo.com crowd funding campaign which started in early September and ran for a month. I slowly started raising money one dollar (or sometimes 75 cents!) at a time.indigogo card copy

In addition to the horses, the mural will also include many other examples of wildlife that can be found in Southern Oregon. I “sold” folks the chance to have their names put onto an animal tile from a selection of around 45 tiles, which will be set into the final mosaic as an integral piece, rather than as an aside. I liked the idea, which I borrowed with permission from Eileen Barr who co-created the 163 steps project in San Francisco. She was a great resource for me in terms of how to handle fundraising and integrating the community into the project. Thanks Eileen!

I was ultimately successful in the last hours of the campaign and made my goal, which enabled me to pay a lower fee to Indiegogo and keep more for the project! THANK YOU to everyone who pitched in, large or small, it all matters! I am feeling so blessed and so happy to have the support of the community, my friends, and my family.

Then I took the next 6-8 weeks for prepping wares for the annual Clayfolk Show and Sale at the Medford Armory, which was also quite a success. More good vibes!

I began right after the Clayfolk Show getting set up to create this giant project consisting of a 27 foot long, 2.5 foot tall handmade ceramic tile mosaic depicting the horses of the Equamore Foundation, a local rescue for abused and neglected horses.

I purchased a “portable” carport/tent to use as an outdoor annex to my tiny studio. You can see the back of my studio just in front of the tent.

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It looks small here, but is 12 x 20 feet of room that I’m loving having already. It will be even nicer when it warms up and I can be out there all the time!

Next, my friend Rick Evans, fellow artist, and previous co-worker from Illahe Tileworks, found me a used slab roller on Craigslist.20150119_142143I’ve wanted one of these for a long time, but never had the space. Now I do! It’s very exciting and I rolled out my first slab today. I’m a little rusty on the how part, but it HAS been about 6 years since I’ve used one of these babies. And I’m attempting to do large slabs of clay — approximately 24″ x 30″. I’m feeling my age today!

Once I’m done with this blog post and the slab has stiffened up just a little, I will begin to cut out the shapes for the first pieces. Whoot! Whoot!

I had the full mural design blown up onto paper at 111% original size to use as a template. I coated the entire thing with clear contact paper to protect it from tearing and make it more resistant to the moisture in the clay.20150129_131949 Then I cut out pieces from the template that would be more manageable in size and shape. I made a corresponding “map” of the final piece so I knew where each piece would go once they were finished.

Yep. I pretty much just made a giant puzzle!

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Each of these pieces will be placed on the clay and cut around as well as transferring the design to the face of the tile as a guide. I still am a little undecided how I’ll tackle creating “mosaic” pieces for the background, but I think it’ll work out. Sometimes you have to figure things out as you do them to see what will work and what won’t.

And finally today, I’ve been creating my own version of the whole 50 Shades genre by doing glaze tests for the project. My own 50 Shades of Clay!20150218_160346

I am using Amaco Velvets underglaze with a clear sprayed on top to bring out the color and protect it from the dirt and weather. I’m loving the palette so far. I realize there are only 48 colors here, but more tests are on the way!

That’s where I am on the process so far, as I am concurrently working on a public commission for the McMinnville Library. This will be a lily pond mosaic I’m co-creating with my friend and fellow mosaic artist Lynn Adamo of Hillsboro. Coverage on that project in the next blog post!

Oh! and don’t miss seeing how all the Haines Foundation recipients used their grant money — join all 18 of us at the Ashland Art Center on March 6th (First Friday) from 5-8pm for an exhibit of everyone’s works and works in progress!

My FIRST Community Built Conference 2014 Davis, CA

What exactly IS this “Community Built” thing you ask? Well…I hope I can describe it in fewer words than the board members did- LOL. I describe it as: Community building and engagement through creative projects.

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Mosaic mural detail- Mark Rivera, artist Davis, CA

It all began with a bunch of playground designers and muralists “back in the day” (the 1970’s), and it’s not only still going strong, but is growing as a group and as a movement. All over the world folks like the 100 or so that gathered in Davis, California two weeks ago are yearning for connection. I am one of those folks and I didn’t really know it until I got there!

I had a hint these were my people when they said in the invite to “wear your messy clothes”, but I didn’t realize until I saw the projects these folks had pulled off, met the folks who fearlessly created and engaged with communities around the world, and heard the amazing speakers who are more concerned with bringing folks together than in a fat paycheck -how much I resonated with what was happening there at the conference.

Let me wow you with some photos from the weekend:

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Cottonwood bench, created by the artists of CBA Conference 2014

 

This is a Cottonwood leaf bench- created in under 4 days by volunteers from CBA with mosaic artist Donna Billick at the helm (almost done – and look- Amanda has on overalls!) 🙂 Those of you who know me know I LIVE in mine. 🙂

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City Repair project led by Mark Rivera, Davis, CA

Here I am painting the intersection/street with neighbors and CBA conference goers led by Mark Rivera- at 4th and K St. in Davis, CA – a one day project that took less than half a day due to so many participants!

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“Compassion is…” Earthbench with Mosaic Ceramic Inlays by Mark Rivera, Brennan Bird, and the community of Davis, CA

 

The Compassion Bench, created out of recycled materials, cob, and love. Here’s a peek at what’s “inside”:Compassion bench 2  Old soda bottles filled with plastic bags, compacted together to create a wall of waste that then gets turned into a useful place of community gathering – SO much cooler than throwing it all in the landfill, and cheaper than any other material.

What you don’t see about what’s going on here is that by creating tangible projects together as a community folks are: meeting their neighbors, learning more about themselves and those around them, and then continuing to interact with each other AFTER the initial projects are finished to keep creating community in their towns, neighborhoods, and what have you. Folks are being empowered to make change happen themselves, and are less whiny, less apt to blame things on the “powers that be” and more engaged in life! They are taking ownership of where they live and creating what they want to see in the world.

Awesome huh? Are you excited by the possibilities yet?? If so, check out the website of this amazing organization at http://www.communitybuiltassociation.org or LIKE them on Facebook at Community Built Association. I learned so much in the 4 days I was there my head was exploding with it all!

Also check out the wonderful work of the Pomegranate Center at http://pomegranatecenter.org – and watch the Ted talk by Milenko Matanovic at TedX. He’s an amazing man, great speaker, and you won’t be sorry you watched it. He was an inspiring lecturer at the Davis conference. One of those people you want to “follow”.

Now I am forging ahead to write my own grant to do a community mosaic mural project for Talent, OR (my home) this summer. I plan to mount the panels onto the side of The Grotto pizzeria near the intersection of Main St. and Talent Ave. in the fall if all goes as planned. I will be engaging with my neighbors and friends to make some handmade tile elements, rounding up off-cuts and extras from tile setters in the area to create the background (and save the tile from the landfill), and hopefully having a ton of fun in the process.

Wish me luck- and if you know any tile contractors in the Rogue Valley let me know!!

December is here already?!

Whew! what a crazy busy time last month was!

The 38th Annual Clayfolk show was a resounding success and I want to thank all of my supporters for coming out to make it our best year ever.  I was honored with the front page of the Medford Mail Tribune’s Tempo this year, and I have no doubt it helped me immeasurably.1

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My platters came out great- and I was able to do a trade with my friend Julie Young for wonderful photographs of my work. Here are a few:

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I totally enjoyed myself and did well in sales to boot. Bonus. However, I’m still trying to recover my energy to move on to new endeavors. I think the adrenaline is what took me through last weekend-and this week has been a long crash.

My first order of business after the show was to clean the house (which had been let go for far too long) do some laundry, and create the class description for my next workshop: Mosaic LOVE. I hope some of you can join me for this fun and informative class!

heart2Mosaic LOVE: A Class for Beginners of All Things Mosaic with Karen Rycheck

The mosaic art form is experiencing a resurgence all over the world – and you can be a part of it! Come get a taste of this dynamic and versatile art form while making a fun valentine gift for your sweetie, your mom, or yourself! We will be creating a small project to whet your appetite and give you the basic skills needed to begin creating in mosaic. Your first three hour session will be cutting and laying tesserae (pieces), the second one hour session will be grouting and finishing your piece.
Saturday February 1, from 10:00 am – 1:00 pm, and Saturday February 8,              from 11:00 am – 12:00 pm

$50 Members, $60 General
All materials provided
Ages 13 +
Click here for the registration form
Please register by Tuesday, January 28
Questions? Email karaQlewis@gmail.com

Or peruse the Ashland Art Center class schedule on their site at http://www.ashlandartcenter.org

This could make a unique Christmas gift for someone, or a fun activity to do together- so grab a friend and sign up NOW.

I’m also going to move my potters wheel indoors for the winter, so I can continue to practice and create more good looking bowls, yet still be warm and comfy. I gave away my futon couch on Craigslist-took less than 16 hrs. for it to disappear-to make the space for the wheel. Now I just need shelves for the work! One can never have enough shelves it seems. So if anyone wants to help transform the bedroom into an annex studio-give me a call 😉

Coming soon- the fictional downtown of Bedford Falls (from Frank Capra’s classic film It’s a Wonderful Life) in CAKE. By yours truly. I have to admit to loving food sculpture-as long as it isn’t taken too seriously. But I do like a challenge, and this will prove to be one. Stay tuned for that adventure.

I hope you all had a great Thanksgiving and were able to give thanks for the wonderful lives we all have. Even when I’m whining and struggling I am always grateful to my clients, readers, friends, and family; without whom my life would be dull, dull, dull. Thanks everyone!  xxoo

Upcoming shows include my Artwork

Oh my god this has been a busy summer and now fall…I can’t wait to catch my breath, but there’s no end in sight until after The Clayfolk Show coming up November 22nd-24th at the Medford Armory on Hwy. 99 just off exit 27. Anyone wanting to take me to a warm sunny locale, just drop a line. I’m ready! SAMSUNG

I’m working on some new functional pieces since I’m learning to throw on the potters wheel, and I hope they’ll be well received. SAMSUNG These bowls are in the greenware stage-unfired and unglazed. The colors will change dramatically before they’re completed. The pastels will become deep reds and bright yellows and glowing greens. The outsides will become black and white. It one of the cool things about doing ceramics. You can’t tell until it comes out of the kiln on the final firing what it will look like. That’s part of the mystery of clay work. SAMSUNG

In the background is my reclining nude chaise lounge called “Eve”. It’s temporarily taking up space in my studio and serving as another shelf! Lol. I would love to sell her… anyone interested should contact me NOW! I need the studio space back and she needs a better home.

Stay tuned for updates on the progress of these new works as November draws nearer.

While going back and forth to Portland I was also working on some new garden art to be shown this October at the Illahe Gallery in Ashland, Oregon. The pieces shown will be the Mosaic Town I created this summer and blogged about earlier.  The opening reception will take place Oct. 4th from 5-8 pm for the First Friday art walk in Ashland. Come on down to Illahe at 4th and B Street and meet me and other great mosaic artists from the area and check out the variety of types and styles that mosaics can offer.

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Shows & Events                                                   October 2013
Gallery Newsletter
Historic Charles Nininger Building
215 Fourth Street
Ashland, Oregon  97520

 

 OCTOBER:

We are happy to bring an eclectic group of nine skilled mosaic artists to the gallery this month for our Third Annual Mosaic Invitational.   Each of these artists skillfully takes the craft of mosaic in a unique direction and form, from furniture to wall hanging to outdoor sculptural works.  Join us for the Artists’ Reception, held during Ashland’s First Friday Art Walk on October 4th  from 5~8 p.m.  Enjoy a late summer evening stroll with other art lovers and meet the artists.  Wine and light refreshments will be served along with the music of Jef Ramsey.

THIRD ANNUAL MOSAIC INVITATIONAL:

Joanne Chase

Kory Dollar

Tina Ellis

Jennifer Kuhns

Jill McAlvage Smith

Penny Meads

Mimi Near

Karen Rycheck

Wilma Wyss

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“Phalaenopsis” Joanne Chase

First Friday Artist Reception

Friday, October 3rd 5-8 pm


“Resonance” Joanne Chase: ::::: :

 

JOANNE CHASE

I love to immerse myself in all aspects of the world of plants, growing edibles and ornamentals, walking amongst wild flowers, harvesting for food and medicine. Orchids are amazing flowers with such complex and unlikely architecture. Our local natives are miniscule and grow from the ground while tropical orchids such as I’ve recently seen in Panamaattach themselves to trees and have bigger, showy flowers. They all delight me and have inspired this body of work along with the notion of resonance, something that evokes a strong emotion, such as these flowers do for me.

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“Zahara, Goddess of Dance” Kory Dollar: ::::: :

 

KORY DOLLAR

Kory Dollar is a stained glass mosaic artist of Clark County Washington. She has been creating colorful mosaics for 15 years and is a self-taught artist. Kory uses a wide range of materials to create mosaics; she searches for unique bits and pieces that can be turned into treasures. She places bits of color and texture together to create elements in nature and fantasy. All of the items she creates are one-of-a-kind. She assembles each work of art one piece at a time, making every piece just right. Kory uses a broad range of materials, combining texture, reflectivity, and spacing to create her vision. Kory shapes the materials to fit like puzzle pieces, using modern tools. She is intrigued by mandalas, nature, and the human body. Her visions come from her surroundings; “I watch nature and people, studding movement, expression, tone, and light. My aspirations allow my imagination to create vivid themes and expression for others to interpret.”

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“Classic Ribbon Vase” Tina Ellis

TINA ELLIS

After representing glass artists to galleries for eight years, Tina found herself compelled to create her own artwork. She was inspired to work with dichroic glass because of its lively and reflective light transmitting qualities. The glass she uses is predominantly recycled. Tina hand cuts and fuses each piece of glass creating soft pillowed pieces for her mosaics. She also slumps some pieces of the molten glass to fit the form on which she is working.

This exhibit is a series of mosaic vases. Most of the vases are recycled period pieces. Tina’s work contrasts classical shapes with contemporary materials. She loves the way these contrasting elements play off of each other creating an entirely different expression.

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“Gimli” Jennifer Kuhns

JENNIFER KUHNS

My specialty is stained glass mosaic, with emphasis on use of reclaimed materials.  I collect stained glass scraps from leaded and fused glass artists, tiles are scavenged from contractors, tile setters, and salvage yards.  The bases for my fine art panels are leftover tile boards, cupboard doors, and old windows.

Throughout my life, faces have been the primary focus of my artwork.  If I’m stuck waiting in a line or at an airport, I entertain myself by sketching the faces of the people around me.  I love how different all of our faces are, and yet so similar.  The lines and contours of a face tell a story.  The arch of an eyebrow or clenching of a jaw can completely change a person’s expression.

While I have always enjoyed sketching realistic faces, I began to play with use of unexpected colors in my twenties, working in oil pastel.  From there, my faces became more and more whimsical as I also worked in linocut and collage, and when I discovered mosaic, I began by translating many of my earlier designs using tile and glass.

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“More Orange Bubbles” Jill McAlvage Smith

JILL McALVAGE SMITH

My sisters accuse me of having enough Scrabble tiles to write a novel. I don’t. But almost.

I am a finder, a collector, a bricoleur. Each of my artistic journeys begins with the hunt. I can be found most weekends haunting yard sales, imagining new lives for the dusty treasures I unearth.

I am passionate about creating my artworks using entirely salvaged and found materials (with the notable exception of adhesive and grout). My creative process begins with those discarded items. I am inspired by the challenge of transforming these rescued and reclaimed objects into meaningful works of art.

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“Rooster” Penny Meads

PENNY MEADS

Mosaic art creating for me is a form of mental therapy.  When working on a piece I can clear my mind of everything and find relaxation in creating a piece.  I have taught myself over many years and consider myself an advanced amateur.  When asked to describe how I do this, I describe it as having a vision and working backwards like a jigsaw puzzle.

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“Joy of Joys” Mimi Near

MIMI NEAR

I fell in love with glass mosaic the moment I encountered this intrepid art form in the Cathedrals of Europe at age 13. Using the technical skills I gained from being a journeyman tilesetter, the understanding of mosaic art from my studies inRavennaItaly and various art and design classes I set out to explore the inner and outer world of mosaic art. I create mosaics for Public Art Installations as well as private residence installations such as water features, sculptural interior or exterior pieces, bathrooms, kitchens, terraces etc. I also create what could be considered “Fine Art” that is hung as a painting would be hung in one’s home. The pieces I have created for this show have been inspired by a variety of things, my recent exploration of Spain, my love of the natural world and my absolute infatuation with the creation process.

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“Mosaic Houses” Karen Rycheck

Exploring different subject matters and concepts ranging from light to dark and whimsical to weighty drives my art making.

I begin a work with a general concept, giving myself space to develop the piece as I’m interacting with it. Allowing myself more room to play in my abstract work, I focus on design, texture and color as my guides.

Different materials call to me for each individual piece, so various types of glass, clay, stone, and metal as well as non-traditional materials such as CD’s and LP’s may all be found in my work. Choosing not to limit myself by material, I select my medium according to what sense I want to convey in the piece itself.

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“Out to Sea” Wilma Wyss

WILMA WYSS

The different settings and cultures that I’ve experienced are reflected in my mosaic work. My childhood was a multicultural gyre: I was raised by Swiss parents in the U.S. and Africa, and often felt like an outsider, spiraling between continental divides. I’m inspired by the lively, colorful ornamentation in African culture that often draws from nature, even as it collides in my art with the Swiss tradition of orderliness and precision-a collision I hope infuses my work with intriguing contrasts and a dichotomy of order and the unexpected. As a resident of the Bay Area for 25 years, I also feel a strong connection to the western landscape, and often integrate natural materials in my work, including river rock, pebbles, beach glass, fossils and shells. Color, texture and shape are key. I enjoy the technical challenges in creating my mosaic work, whether applying the mosaic to a substrate that I cast in concrete, build up an armature of wire mesh, or repurpose an old frame or ceramic roof tile.

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Paul’s mosaic panels are completed

After I created this exterior mosaic mirror to coordinate with my client’s new interior furnishings, he was so pleased he commissioned two more pieces for the entry walkway to his home.

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Paul’s mosaic mirror created in January 2013.

He lives in a beautiful complex on the shore of the bay in Tampa, Florida and has a walkway bridge that leads to his screened in porch and front door. The mirror hangs on his  porch.

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I created two panels that played off of his mosaic mirror design, as well as bringing in some new textures.

These panels were a combination of the original mirror, and the address plaque I made for my friend Penelope earlier this year, in my post “Penelope’s Plaque”.

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Address plaque created for Penelope in early 2013.

The client liked Penelope’s panel and wanted something similar, but in the same palette as his mirror and the colors from his home.

Here’s what we decided to do- one panel with 2 circles (12″ x 24″), and one panel with 3 circles (12″ x 36″). He left the rest up to me and here are the results:

Paul's2circle

Paul’s 2 circle panel.

Paul's3circles

Paul’s 3 circle panel.

These pieces include stained glass, handmade and commercial ceramic tile, mirror, commercial vitreous mosaic tiles, iridescent tiles, glass beads, millifiori, and Italian smalti left over from the Hannon Library mosaic installed in Ashland, Oregon in 2005.

I tied these panels to the mirror by making the background the same, as well as carrying over the color schemes. I feel they were pretty successful and also fun to make.

I find abstracts much more relaxing to create than realistic work. My mind is focused on the basics and not on “does it look like ___?” or not. I can allow myself to let go and play more. I have a feeling I’ll be going more in this direction in the future.

Anyhow, I’m shipping these panels out tomorrow and I look forward to seeing the photos once they’re installed on the pillars. Let me know what you think, feel, etc. about this work or anything else on my blog.